By Michele Dargan
Given the fact that Trevor St. John has brought so much to the role of Todd Manning over the past 8 years, I think it’s insulting that the One Life To Live writers have marginalized his contributions by
A. Trying to make us believe that he was brainwashed to be Todd all this time
B. Killing him off as Victor Lord Jr., thereby ending the realm of possibilities there could have been between him and Roger Howarth as his brother, Todd.
Isn’t it enough to take One Life To Live off of our television screen?
One would think that might spur the writers to go out with a bang….make these last few months spectacular!
Instead, the fabulous Robin Strasser as Dorian Lord is off our screen (I know there was back surgery involved), along with the equally fabulous Gina Tognoni as Kelly Cramer and the wonderful Tom Degnan as Joey Buchanan.
Now Trevor, as Todd, is gone….as in dead. I knew it was coming as TSJ put a message to his fans on his website saying that his last day of taping was the week of July 18. The guy is a class act.
Que Sera Sera! I see bigger things in Trevor’s future. He’s a great actor who has done lots of other things in primetime television and movies. So he will definitely be fine.
I was so happy to be able to see Trevor one last time after his fan luncheon last month, even though my plane landed too late for me to attend his event. He stayed one hour after the alotted time his event was supposed to end in order to spend as much time as he could with his fans….Now THAT’s a nice guy!
Let me say upfront that this is NOT a Trevor vs. Roger column. I think both are wonderful actors and have each made the role of Todd Manning their own.
But let’s just say I was less than happy to hear Roger Howarth was coming back as Todd Manning…no slight to Roger at all.
It’s just that I have come to love the layers in the character that TSJ has brought to our screens.
And, I also have to say, that the more I watched the “Tale of Two Todds” unfold, I became intrigued…. There really WERE so many possibilities.
And when “the man with the scar” finally revealed himself to everyone – but we still weren’t sure who the real Todd was – I really enjoyed the onscreen repartee between Roger and Trevor. They were so much fun to watch together!
Once Irene Manning revealed the “story behind the story” of the brothers…that they were twins, Victor was brainwashed and Todd was held captive, etc. etc….the whole convoluted explanation was insulting to the me as a viewer.
After I invested myself for 8 years in TSJ as Todd – all of a sudden he’s not???
I really identified with Dani (Kelley Missal) and Jack (Andrew Trischetta), who didn’t know the other Todd as their father. I felt the abandonment they felt.
But I also realized that this twist of fate could turn into an incredible opportunity for some seriously great storylines in the struggles for control between Victor and Todd.
But, sadly, that was not to be.
By Michele Dargan
Good News for All My Children and One Life To Live fans!
It appears that “ALL My Children” and “One Life To Live” will continue on after the shows air their final television episodes.
Read the official press release from ABC/Disney below:
ABC LICENSES ITS ICONIC SOAPS “ALL MY CHILDREN” AND “ONE LIFE TO LIVE
TO PROSPECT PARK
EXCLUSIVE MULTI-YEAR, MULTI-PLATFORM DEAL ALLOW THE SOAPS’ STORIES TO CONTINUE BEYOND THEIR FINAL AIRDATES ON ABC
BURBANK, CA – July 7, 2011 – ABC has licensed its iconic soaps, “All My Children” and “One Life to Live” to Prospect Park, it was announced today by Brian Frons, President, Daytime Disney ABC Television Group & Janice Marinelli, President, Disney/ABC Domestic Television and Rich Frank & Jeff Kwatinetz of Prospect Park. The exclusive multi-year, multi-platform deal enables the soaps’ stories to continue beyond their finale dates on ABC. ABC will broadcast its final episode of “All My Children” on Friday, September 23rd and will air the final episode of “One Life to Live” in January, 2012.
The licensing agreement, brokered by Disney/ABC Domestic Television Group, enables Prospect Park to continue production of “All My Children” and “One Life to Live” beyond their life on ABC. Prospect Park will produce and deliver the two long-running programs to consumers via online formats and additional emerging platforms including internet enabled television sets. Under the terms of the arrangement, the programs will continue to be delivered with the same quality and in the same format and length. Additional details of the new productions and tune-in will be forthcoming from Prospect Park.
“We are privileged to continue the legacy of two of the greatest programs to air on daytime television, and are committed to delivering the storylines, characters and quality that audiences have come to love for over 40 years. ‘All My Children’ and ‘One Life to Live’ are television icons, and we are looking forward to providing anytime, anywhere viewing to their loyal community of millions,” said Frank and Kwatinetz. “Technology changes the way the public can and will view television shows. Now that there are so many devices available in addition to television sets, viewers are taking advantage of watching shows where ever they are and on any number of devices. The driving force in making the switch and attracting new audiences is to have outstanding programs that people want to watch. We believe that by continuing to produce the shows in their current hour format and with the same quality, viewers will follow the show to our new, online network.”
“’All My Children’ and “One Life to Live’ are iconic pieces of television history that captivated millions of fans since their beginning over 40 years ago,” said Frons. “Each of the shows have made an indelible mark on our culture’s history and informed our consciousness in their own way. We are so glad Prospect Park has assumed the mantel for these shows and that they will continue for the fans.
Marinelli continued, “From the time the shift in the daytime strategy was announced, our hope was to find a new home for these treasured shows. We are thrilled to license them to Prospect Park so the stories of life in Pine Valley and Llanview can continue to be told for the passionate and loyal fans that enjoy watching each day.”
“I’m just so happy that ABC found a home where the legacies of ‘All My Children’ and ‘One Life To Live’ can continue. I’m excited for their future with Prospect Park,” added Agnes Nixon, creator of both ‘All My Children’ and ‘One Life to Live’. “It takes a lot of living to make a soap opera a serial, and the wonderful teams on both shows have done just that. Together, we are a big family that keeps going, and I’m looking forward to working alongside these wonderful people as we ensure that the shows will continue with all the love and excitement we’ve always had. I also am so happy for our loyal fans, whom we love so much, and who have been so supportive over the last 40 plus years.”
Prospect Park is a media and production company founded in 2009 by entertainment industry veterans Jeffrey Kwatinetz and former Disney Studios head Rich Frank. Along with successful film and music divisions, the company’s television group has numerous shows in development and breakout network hits airing including Royal Pains and Wilfred.
In April, ABC announced that it was expanding the focus of its daytime lineup to include more programming that is informative and authentic and centers on transformation, food and lifestyle. “The Chew,” an innovative and groundbreaking daily talk show that celebrates and explores life through food, will premiere on September 26th. “The Revolution,” a daily show about health and lifestyle transformations will replace “One Life to Live” in January 2012.
“All My Children” has revolved around the lives of the residents of fictional Pine Valley, a town which closely resembles the Philadelphia Main Line. “All My Children” took home the 1998 Emmy-award for Outstanding Drama Series, the third time the show received this top honor, having also garnered the award in 1994 and 1992. “All My Children” has received more than 30 Emmy Awards and consistently distinguishes itself in the field of daytime drama. The show has historically been committed to and is often the first to tackle social issues, focusing on such topics as AIDS, abortion, cochlear implants, teenage alcoholism, racial bias, acquaintance rape, spousal abuse, homosexuality, Reyes syndrome, Vietnam MIAs, drug abuse, the risks of motherhood over 40, safe sex, pet therapy and organ donations, among others. The show made television history airing daytime television’s first same-sex kiss between two lesbian characters as well as daytime television’s first same sex wedding between two women. The show was the first to chronicle the coming out story of a transgender woman and to cast a real life Iraq war vet who’s story reflected his real life experiences and injuries incurred in combat.
“All My Children” premiered on the ABC Television Network on January 5, 1970, as a half-hour show; seven years later it expanded to an hour. Julie Hanan Carruthers is executive producer.
Also created by Agnes Nixon, the Emmy Award-Winning “One Live to Live” is set in the fictional town of Llanview, which is modeled on a Philadelphia suburb. “One Life to Live” debuted on The ABC Television Network July 15, 1968 as a half hour show. Ten years later, it grew to a full hour in 1978.
“One Life to Live” has been lauded for its groundbreaking exploration of social issues, diverse canvas, award-winning performances and innovative storylines. Along with the history-making week of live shows in May 2002, “One Life to Live” is responsible for many “firsts” in Daytime television, including stories of interracial romance, illiteracy, medical misdiagnosis, racial prejudice, gang violence and teen pregnancy. The show received mass critical acclaim for its 1992 homophobia storyline, which captured national headlines when it introduced the character of a gay teen (played by then unknown Ryan Phillippe) and culminated with the emotional display of the Names Project AIDS Memorial Quilt. “One Life to Live” was honored by the Gay and Lesbian Alliance Against Defamation (GLAAD) with the Outstanding Daytime Drama Award in 1993, and again in 2005 and 2010.
In 2002, the show won its first-ever Daytime Emmy Award in the Outstanding Drama Series category, and was nominated again in 2007 and 2008. Created by Agnes Nixon, “One Life to Live” debuted on July 15, 1968 and marked its 10,000th episode on August 17, 2007. Frank Valentini executive produces.
Ken Ziffren of Ziffren Brittenham advised Prospect Park on the deal and the company is represented by Skip Paul at Centerview Partners LLC.
By Silas Kain
A CALL TO RALLY THE SOAP TROOPS IN A NEW MISSION…
It’s been along, strange week hasn’t it? So, let’s get down to business and have a serious, adult discussion.
I’ve got a few ideas. Let me clarify, WE have a lot of ideas. Some are good. Others are subject to debate.
But before we take this journey, let’s get a few things straight.
Since 1999, a group of soap opera fans have tried to show to the industry and fan base that the business model used for broadcasting soap operas just did not fit this new age of information. We warned in 1999 that without a serious look at changing the paradigm, soap operas could be dead in a decade.
Well, I hate to say we told you so, but… now is not the time for such silliness.
In the last 7 days there has been an explosion of fan efforts being organized. And I have to say, just as many expected, the ABC fan base doesn’t let us down when it comes to going off in a thousand different directions. And that’s what we need to change – NOW!
In the last 7 days a group of people behind the scenes have been working 12 – 18 hours a day to sort all this out. We’ve reached a few conclusions which seem to work. Unfortunately the time we’ve spent putting out fires caused by several fan groups has prevented us from putting something together for you to see more quickly. So, let’s answer a few questions so you get where we are coming from…
Why haven’t the actors come forward from OLTL and AMC?
If you have to even ask that question, you don’t get it. These actors have built their careers in a genre which has never, I repeat – NEVER, received the respect and acclaim it deserved. These most professional of their profession have been marginalized, trivialized and held back from illustrious acting careers because studios AND the public think soap actors are hacks. Now, WE don’t think that way. But the soap fan base has shrunken so much our impact on media buyers and corporations is at an all time low. The actors who are currently employed are in a tenuous position. If they speak publicly about what they are really feeling they risk future acting opportunities. And, let’s face it, with 4 soaps left – the character pool is drying up fast! Many of these seasoned actors are at the stage of their lives where they just don’t please the studio executives. They’re not “youthful” enough. They don’t have the well defined abs. Like it or not the marketability of an actor is more dependent on the size of erection a studio executive gets in response to an actor’s looks. I know it sounds cold. But that’s pretty much where it’s at. Ironically, media buyers and corporate executives really don’t understand the American viewing audience at all. But all of this notwithstanding, we’ve reached out to these actors. And we have made it very clear we have their backs. We will do everything we can to reinvigorate a genre in need of revitalization!
Do you have any idea what’s being said backstage?
Yes and no. I’ve been in touch with a few. In some cases I have been in touch with people who are willing to work with us on behalf of the actors. There has been one resounding message we’ve been receiving behind the scenes all week – there MUST be one central organized effort which includes ALL fans of daytime from every show and every network. That’s right. This is the consensus we’ve found. And when the time is right as the dust settles, you will see actors come forward to endorse whatever business model ends up getting shopped to the right people.
What about what Oprah said and what about OWN?
Oprah has made her position clear. She’s in business. She’s a one woman industry. And though she comes from meager means, her rise to the top of her ladder has isolated her from much of that which she experienced in her younger years. The way I see it my Granny said it best – “out of sight, out of mind”. Oprah won’t be on air five days a week in a syndicated talk show. And while she may have her OWN network, the fact of the matter is Oprah as a talk show is more marketable than Oprah the network. She’s been part of the American landscape for 25 years and her rise in the beginning had EVERYTHING to do with soap. She somehow has lost sight of it. Unfortunately, one of ABC Daytime’s staunchest allies over the years – Rosie O’Donnell – is now part of the Oprah Empire. And, as a result, the silence is deafening. As I’ve said so many times – connect the dots. Oprah has had an amazing impact on the American experience. Thanks to her creativity and vision she has influenced millions of Americans and enhanced their lives through entertainment and subtle education. We owe much to her, That being said, she’s made her position clear so we must move on.
How can we get ABC to change their position?
We can’t. Deal with it. ABC management has to answer to Disney and Disney stockholders. Entertainment in every form is an expensive proposition. In the evolution of broadcasting, networks weren’t ready for the influx of cable networks and Internet influence. While they were operating in outmoded business policies the rest of the industry was coming out with cheap, fast programming which captured the audience. Why is that? The answer is clear. For two generations, American children have been robbed of arts being an integral part of education. They’ve been deprived of studying the philosophers, the Renaissance artists, Shakespeare, the Brownings and so much more. What we’ve ended up with is an audience that knows not the difference between the volatile Kate in Taming of the Shrew and Snooki of Jersey Shore. It’s pathetic what we’ve settled for in entertainment. The amazing programming we experienced in the 50’s and 60’s lives on with remote cable networks that see the intrinsic value of quality programming. The bottom line is our 40 year love affair with ABC Daytime is coming to an end. So, let’s find a way to make this work!
Do fan protests against ABC work?
Sure they do! And under the circumstances it’s more than understandable when emotions are running high that the first thing fans want to do is FIGHT BACK! We get that! But take off your broken heart hat for a moment and put on your business hat. What does slamming ABC in a relentless, child-like manner accomplish? Well, my friends, one word = NOTHING! We have to face facts. If there is the remotest hope of getting homes for All My Children and One Life to Live we have a situation. ABC has the power to say no. And while there is plenty of finger pointing and blame to go around, now is NOT the time to do it. Rather than go on the attack, we need to form a cohesive, sane organization which addresses the central dilemma facing daytime – HOW do we change the business model that has been used all this time? And in cobbling out the solution, we have to look at Brian Frons and Anne Sweeny not as enemies but facilitators. We don’t have to like them or their policies. And, as I’ve said, IF you want to find homes for AMC & OLTL sooner or later you have to sleep with the enemy to accomplish the task. Get it?
What about getting advertisers to boycott ABC Daytime?
Isn’t that an awesome idea? Pardon me while I spit up. First of all, I applaud Hoover for their decision. It’s about time an advertiser took a stand. Don’t kid yourselves because, Houston, we have a problem. If fans get enough advertisers to pull from ABC Daytime, you kill the stories. That’s right. You kill them. Remember, ABC has a responsibility to the stockholders. If the ABC soaps lose a significant number of advertisers, you can bet they will shut down OLTL earlier than planned. And, GH fans, you can kiss Port Charles goodbye. That’s reality, folks. If the shows aren’t producing some revenue during this process, ABC Daytime has no choice but to pull the plug on soap life support. And, once again, if you put on your logic hats, you will see I’m right. Be sensible. Think before you act. I’m the guiltiest of all when it comes to flapping my jaws and saying the wrong thing at the wrong time. In the last 7 days I have had to weigh my words very carefully. And, at times, it’s been killing me because my first reaction is to open up my can of whoop ass and come out fighting.
How did this happen?
How can we lose a show that’s been on the air for 40 years and made ABC so much money? I hate to be the bearer of bad tidings, but look in the mirror. The viewers have a role in this entire thing and don’t want to take any responsibility whatsoever. Reality television has taken up so much of the market because there’s demand for it. When the basic cable channels started hawking their “unscripted” programming, viewers went nuts. Whether it’s Jon & Kate plus 500 or Sarah Palin’s Moose Jaw Ho Down, viewers have settled for cheap train wreck shows because they are “real”. Guess what? The joke is on us. While we’ve been enjoying all these train wrecks because the cast of characters were “real” people, what we didn’t know is the filming, editing and prompting was most definitely scripted. This has been a network’s sleazy maneuver to outsmart the unions. There was a time when soap operas made serious money. And the bulk of those profits were diverted into prime time programming. That’s right. Our “stories” have been prime time television’s corporate welfare. Do the research. Remember Kojak? If it wasn’t for Guiding Light and As the World Turns, Kojak wouldn’t have been sucking a tootsie pop. It would not have been on air at all. As viewing habits changed and more women went to work, soap operas lost their edge. And when it was the soaps that needed the “corporate welfare” the network executives were aghast.
So, are you saying soap opera is dead?
Ha! The $64,000 question! Look at the scripted shows on prime time today. Guess what? You are watching a soap opera and don’t even know it! In the mid 1970’s the networks were trying to find a way to make prime time programming more attractive to viewers. And while some of the shows were actually marketed as prime time soap operas, there is but one simple truth – 95% of the scripted shows adopted the soap opera model of continuing story lines which carried across the broadcast season. Whether it was Falcon Crest or St. Elsewhere you, the American viewer, have been watching scripted programming based upon the soap opera model. How many times have I asked you to “connect the dots”?
As someone who has been a television viewer since I was in cloth diapers, I’ve watched the evolution from a rare perspective. That’s because I was Mom and Dad’s personal telecaptioner. When President Kennedy spoke of the Cuban missile crisis, my hands were flapping. When he was shot, it was me who told them what Chet and David were discussing. When Rachel got pregnant with Steve Frame’s baby on Another World, it was me who told Mom about it. When Tom and Alice Horton learned their son Tommy was alive, I got to deliver the news!
And all through the years I discovered that soap operas weren’t only entertaining – they educated me on many levels. My love of music began because of Julie’s playing Sergio Mendez’ “The Look of Love”. My love of sculpture developed because I was fascinated by Rachel Cory’s ability to mold a pile of dirt and water into something incredibly beautiful. My views on political matters crystallized during the drama of Tara and Phil on All My Children when he was drafted. So, I’ve watched television’s evolution in both daytime and prime time. To answer your question, soap opera never really was dead. It’s just changed and now it’s up to the consumer to facilitate a new model for the daytime end of things.
What about the soap press? Where are THEY in this mess?
Oh come on now. Haven’t you figured it out? These people are in a state on confusion close to that of the actors and crews. Whether you like one member of the press or the other, there’s one thing for certain. The job that has been their dream all their lives is in peril. Imagine the uncertainty. For years they have had to live by the whims of studio heads and media relations “experts”. If a member of the soap press said one word which pissed somebody off, they got the door shut in their face. There it is. Quite simple, isn’t it? And as these members of the soap press sit Shiva in wait of soap’s demise, it’s up to the fans to prove to them that we even have their backs in this cause. The soap magazines have a place in our culture. The knowledge and wisdom the members of the soap press has developed over the years is such a valuable tool in education not only fans but up and coming actors, writers and directors. You see, even members of soap media get little or no respect from their own peers. They deserve better for what they do and they will be gratified if we include them as an overall part of reviving daytime.
OK, enough with the bullshit. What are you thinking?
Thanks, I needed that. Here it is. We have an infrastructure in place to develop one central Internet repository for all fan groups to join together. What we want to do is go live sometime next week. I won’t reveal the domain name just yet. Please bear with me. And, for the love of God, stop going out and buying domain names for your respective cause. The only one getting rich in this mess is GoDaddy. And now I will get on to what we have envisioned for this repository:
PURPOSE: The purpose of this central Internet location is to bring as many of the soap fan groups together as possible in a coordinated effort. This effort isn’t limited to All My Children and One Life to Live. If a production company chooses to adopt the business model being discussed, this could be the basis for the remaining shows going forward. That’s right. The networks could try adapting their current shows to the model we’re putting together.
The main focus of this operation is to provide access to the millions of soap fans across the country. They could come here for information on the industry. We want to provide information about the thousands of web sites out there dedicated to the genre. We want them to be able to learn about the talented folks who host podcasts, using their own time and money to talk about the genre they love. We invite all of you creative people to join in the movement because you are an important element as we move forward.
WHO IS IN CHARGE? Well, initially, I was thinking an election process. Many have come forward and told me this is not a good idea because it would become a popularity contest and we all know how fans get. So, therein lies my dilemma. We’ve got some brilliant people who have come forward to be a part of the “Leadership Council”. With that being said, I need your input. What do you think I should do? If you want me to appoint the five people to this “board of directors” I’m more than willing to do it. But, for the record, I have said many times I cannot serve on the council itself. My role will be as an advisor and to keep the board informed of the progress we are making behind the scenes. You all have to understand here that this is a very delicate time. We aren’t going to repeat our past mistakes and tip our hand from the outset. We’re doing this in a concentrated, planned and reasonable way.
What is the role of the Leadership Council? The five people on the board will be in charge of coordinating fan groups and fan efforts. They will research, debate and establish policies and guidelines for all folks who wish to be a part of this call. We will look to these leaders for guidance and to act on our behalf when the time comes. As I indicated, these people will be privy to information which is not made available to the general public. These directors have to be willing to keep confidential matters limited to their group. As the entire process unfolds, there will be an opportunity to get into the logistics of what’s happening.
Are there other roles available outside the Leadership Council? Well as Sarah Palin says, “You betcha!” While the Leadership Council retains ultimate authority there will be committees established as follows:
Corporate Advertisers: This committee will be responsible for coordinating and guiding fan efforts toward potential advertisers and others who have impact on buying. As the movement begins to come together, we will be looking to corporate sponsors to examine what our mission is and how it will help their own bottom line. Remember, this is a coordinated effort on many levels.
Local Affiliate Campaigns: This committee will be working closely with members at the local level in organizing rallies and letter writing campaigns to local affiliates about the demand for quality, scripted television. And we’re not just limiting this committee to the local network affiliates. We want to go after the cable providers, the local news media and radio.
Letter Writing Campaign: As this plan of action gets into full swing, the Letter Writing Committee will be developing campaigns which focus on specific entities which they may determine as appropriate.
Community Theater & Educational Outreach: This committee will be charged with the task of facilitating a dialog with community theater groups and local educational institutions who have robust dramatic arts programs. As the movement builds, we want to bring Daytime actors, writers and directors into public view to share their own experiences. Their collective experience serves to assist community theaters and enhance dramatic arts teachers in delivering a quality education to our next generaiuon of thespians, writers and artists.
Media Relations: This committee will be in complete control of media and public relations. One member of this committee will be the official spokesperson of the entire organization. The committee will perform research, schedule media interviews and develop press packets which outline the group’s mission and eventually the business model which is adopted.
SO WHAT DO WE DO NOW?
Here’s my suggestion. Spread the word. Read this l-o-n-g document and think about my points. This is a holy week for many people of faith. This weekend should be a time for family, friends and reflection. Spring is here. Be grateful for what you’ve got. Back down. Take a deep breath and think about what we can accomplish if the majority of us work TOGETHER!
Many of us have discussed this at length behind the scenes. We’re on to something here. This time is different from when P&G took AW, GL and ATWT off the air. The mission is clear. A course is being mapped out. We just need patience, maturity and a little bit of restraint right now. If you’re serious about revitalizing a genre which has brought joy and entertainment to millions of viewers over the years – join in! You will be welcomed with open arms. And together we will make an impact.
So stop feeding the rumor mills. Try and refrain from screaming at ABC. Remember, every time a fan or fan group goes after ABC, it is hurting the cast and crew of the shows more than it is hurting the network. If you have questions, email me. All I know is we have an incredible opportunity here to show the stuff we’re made of. And if you’ve ever watched RuPaul, she goes by this mantra, “Don’t f%#k it up!” Well, Ms. Ru, this time we won’t!
By Michele Dargan
Rumors have abounded for weeks….no make that months…that ABC was cancelling One Life To Live or All My Children or….maybe both!
There have also been rumors that ABC will merge the two soaps together!!
Maybe not so much.
We’re not exactly sure WHAT’s going on.
But we’ve heard through very good sources that both soaps are potentially on the chopping block.
We’ve also heard that a decision will come down next month.
Apart from whether you are loving or hating what is going on storyline-wise right now on both soaps (thumbs down for me, but that’s for another day), the thing is that we all, as soap fans, love the genre.
And what we really DON’T want is to have any more soaps cancelled!
So here’s what you need to do. Call, write or e-mail Anne Sweeney. Apparently, she’s the decision maker. Her contact info is listed below.
Co-Chair, Disney Media Networks/
President, Disney-ABC TV
500 S. Buena Vista Street
Burbank, CA 91521
Direct line: 818-569-7700
So what are you waiting for???
Let the barrage of correspondence begin!!
By Michele Dargan
[Note: This article was originally published in the Palm Beach Daily News]
While being a caregiver to her elderly parents, actress Tina Sloan set out to write a book about the experience.
But as she was writing, Sloan happened to look down at her feet.
“I was in black flats, and I realized they were a mess,” Sloan said. “They weren’t brand-new sexy ones. They were scuffed, dreadful looking … the kind with thick bottoms. But they were comfortable. And I thought, ‘What happened to those beautiful shoes I used to wear?’ I was looking at my shoes and thinking, ‘Whoa! Something’s got to change.’ ”
Changing Shoes — the name of her book and her one-woman play — is a metaphor for life changes.
Changing Shoes: Getting Older — NOT OLD — with Style, Humor, and Grace, was published September 2010 by Gotham Books/Penguin Group.
Sloan will hold a book party (reading and signing) from 3 to 5 p.m. Thursday at Tory Burch’s Worth Avenue store.
“We are happy to host Tina Sloan’s book reading at our Palm Beach boutique,” said Tory Burch. “We love her outlook on living life to the fullest in her new book Changing Shoes.”
Sloan’s play will run March 17-18 at the Lyric Theater in Stuart and on March 20 at the Maltz Jupiter Theater. She lives in New York City and Hobe Sound.
The book is about transformation, reinvention and the many evolutions that happen throughout life in order to stay competitive.
Sloan, 68, knows a thing or two about staying “in the game” from her 26-year stint as nurse Lillian Raines on the long-running soap opera Guiding Light.
But when the lights went out for good on the soap’s 72-year-run in 2009, Sloan was not one to sit idly by.
She has a long list of television and feature films to her credit. She has acted in two popular web-based series: “Empire” and “Venice.”
She also had a role in the Oscar-nominated Black Swan, as well as two other 2010 movies Happy New Year and Oh My Love.
In her personal life, Sloan has been married to Steve McPherson for 35 years. They have one son, Renny, a Harvard University graduate who served as a captain in the Marine Corps. Sloan has run several marathons and has climbed to the summit of Mt. Kilimanjaro.
A quick read
Changing Shoes is a quick read, mainly because she writes in a conversational, no-holds-barred style.
Whether Sloan is describing what it’s like getting older in the soap biz to the depression she experienced as her parents’ caregiver to her only son being deployed to Iraq to running her first marathon in Paris, Sloan makes you care enough to keep reading all the way to the end.
The chapter describing her mother’s descent into dementia and her father’s battle with cancer is especially poignant.
Sloan opens up and tells it like it is — the good, the bad and the aging.
Sloan candidly states that she made the decision years ago that plastic surgery was not for her. Teeth whitening? Yes. But that’s it.
Sitting in a makeup chair next to Jodie Foster on the set of the film The Brave One, Sloan describes the conversation.
The make-up artist remarked that she was “surprised and impressed” that Sloan never had any plastic surgery. When Sloan answered that she wasn’t going to have any, Foster said, “Tina, thank God there are women like you out in front for the rest of us.”
Keeping the spark
The book opens with Sloan and her soap opera daughter, Beth Chamberlin, walking down 44th Street in Manhattan wearing their designer ballgowns fresh off the Guiding Light set.
When they go into a nearby coffee shop, a startling revelation hit Sloan: No one was looking at her. All eyes were on Chamberlin. Sloan felt invisible, which is devastating to a woman, but especially to an actress.
It was in those ensuing days, months and years that Sloan decided there was no way to avoid aging, but there is a way to still retain that spark and zest of younger days.
“You just have to change your shoes,” she said.
Sloan appeared in the Woody Allen films Celebrity and The Curse of the Jade Scorpion. Other feature film credits include Changing Lanes with Ben Affleck, The Guru with Marisa Tomei and People I Know with Al Pacino.
Her daytime credits include recurring roles on Search for Tomorrow (“Patti Whiting”), Somerset (“Kate Cannell”) and Another World (“Dr. Olivia Delaney”).
Sloan said she began the book so that Baby Boomers would know what preparations they’ll need in place — such as wills, medical care and long-term care — for their older years. But the book grew into so much more.
“I realized my body was falling apart,” she said. “I was gaining weight. I was being diminished on the show. My son was going off to Iraq. I couldn’t sleep. I was going through menopause, and I just kept writing and writing. It all came about in a perfect storm.”
By Michele Dargan
Okay, so I’m really behind on blogging…I know. I know!
But now, in one fell swoop, I will catch you up on some soap opera buzz….Let’s begin, shall we?
First of all, the return of Rebecca Herbst and her beloved character, Elizabeth Webber to General Hospital is HUGE!
And all of Herbst’s fans out there should be patting themselves on the back for the incredible outcry that I think helped put her back in Port Charles.
Below is a portion of the ABC network’s statement:
“The show is thrilled she will remain on the canvas to portray the beloved character in many more poignant and emotional stories. Fans will be pleased to see Rebecca continue the role she created.”
I don’t know if you’ve seen Paula’s blog – over at Paula’s Soapbox - about the power of the fans in bringing Herbst back onto the canvas. But it’s a good read.
Click here to read Paula’s Soapbox blog “Just When You Thought She Was Out.”
Speaking of Paula, she’s been quite prolific in her blogging recently (certainly putting me to shame).
And if you didn’t know it, Paula was the one who predicted that it was Suzanne who chopped up Brenda’s wedding dress AND that she was somehow connected to The Balkan – BOTH of which came true!
Now, she takes it a step further in discussing the possibilities of what may or may not have happened to Brenda’s baby .
Click here to read “A Dish Best Served Cold: GH”
And while you’re on Paula’s site, she has two Days Of Our Lives blogs that you’ll want to read.
Taylor Made: DOOL discusses the switcheroo Days made with the role of Taylor, which was played by Natalia Livingston (Emily/GH) for about five minutes before the show announced recasting Tamara Braun (Carly/GH, Ava/DOOL, Reese/AMC) in the role.
Paula’s latest Days blog is Who Does #2 Work For? Not Me! : DOOL which describes her updated feelings about Rafe #2.
By Michele Dargan
Hey Kim Zimmer fans!
For a short time, you will have the chance to see Kim appearing in the Off-Broadway show “Love, Loss and What I Wore Thursday” for a reduced price.
Kim (Echo/OLTL, Reva/GL) will be appearing, as part of a rotating cast, from Feb. 16 – March 20 at the Westside Theatre, 407 West 43rd Street (between 9th and 10th Aves) in New York City.
Entering its second smash year at the Westside Theatre, this intimate collection of stories by Nora Ephron and Delia Ephron, directed by Karen Carpenter and produced by Daryl Roth, is based on the best-selling book by Ilene Beckerman.
Like the book, the show uses clothing and accessories and the memories they trigger to tell funny and poignant stories that everyone can relate to.
Joining Kim Zimmer will be Katrina Bowden (“30 Rock”), Sabrina Le Beauf (“The Cosby Show”), Orfeh (Legally Blonde the Musical), and Barbara Rhoades (The Goodbye Girl).
Click here for information on purchasing $49 tickets (regularly $79) for selected performances.
Use code LLSKZ75 to purchase tickets for $45
for performances February 16 to March 20, 2011.
Visit http://www.lovelossonstage.com for more information about the show.
By Michele Dargan
So there’s a new “evil” twin in town on Days Of Our Lives….
Or at least he’s supposed to be evil.
Paula, over at Paula’s Soapbox, says the Rafe double is really not so evil in the evilest sense of evil….Okay those were my words.
But in Paula’s words he’s kind of like Rafe 2.0 and she likens him to a cross between #2 and #4 in the movie Multiplicity, which, by the way, I’ve never seen. But I guess I will rent it now that Paula highly recommends it.
Back to Rafe 2.0, Paula offers some theories about what she’d like to see happen.
And, frankly, I like her ideas.
So, without further adieu…
Click here to read what Paula has to say in “Rafe 2.0 Attack of the Clone: DOOL.
And while you’re on Paula’s Soapbox, check out her interview with BlogTalkRadio’s Daytime After Dark host Carly.
Click here to read Soap Talk: A Behind the Scenes Look at Daytime After Dark
By Michele Dargan
So do you think Carly destroyed Brenda’s wedding dress?
Or is Carly just a red herring?
As always, the GH writers lure us down the path they want us to take in order to throw us off the track of the real perpetrator.
And, I have to admit, I’m at a loss on this one.
For me, Carly would be too obvious, but I’m just not sure who else it would be.
If it’s not Carly, then it’s someone who is setting her up and has an axe to grind with her….but, seriously, there’s so many people in THAT category, I don’t know where to begin!
The next choice for me would be The Balkan or one of his henchman….but I’m not feeling that either.
My buddy, Paula, over at Paula’s Soapbox has a veeeerrrrry interesting pick on who SHE thinks it is – and it’s someone who caught me totally by surprise.
Click here to read Paula’s take on who played paper doll cutouts with Brenda’s wedding dress.
And let me know if you’re as shocked as I am by Paula’s choice.
It would be an interesting twist, for sure!
By Silas Kain
As a soap opera aficionado for the better part of my life I’ve seen many tales told over the years which I could take or leave.
You know the drill.
Stories get remade, retold, repeated or as I like to call them regurgitated.
In the last decade it seems there’s been a gradual decline in the appeal of General Hospital.
Absent from the canvas have been those compelling stories which began around nurses stations, in operating rooms or on exotic spy missions.
I admit, I wasn’t there from Day One.
I remember a little about Audrey & Steve Hardy, and I even remember Jesse Brewer.
But my time with GH really began in the days of Edward and Lila, Monica and Allan, ELQ, the Cassadine wars and the saga of the Scorpios.
On January 31, 2011, General Hospital came full circle and has been given an opportunity few, if any, soap operas have ever enjoyed.
When Dante said to Jason, “let him have the win” the first thought which popped into my mind was, “yes, Mr. Guza, let Michael have the win”.
Let’s take a quick trip down Memory Lane so you get where I’m coming from.
Over the years, Michael has been the focal point of so much drama.
His conception, the secrets of his paternity, battles for custody and his shooting all have been the axles in the story wheels we’ve watched turning. Michael is the one character who connects all characters. He’s the legacy character we dare not recognize by virtue of his birth.
When Michael finally ended up in prison and it was obvious the story line was about to take a very dark twist I was more than concerned. I had problems with how the writers would take this story and bring it to a satisfying conclusion – not only for us but for Michael.
Come on now. You and I both know we haven’t been overly thrilled with the lame story lines. Like it or not, this whole mob boss do gooder swill has reached the breaking point. The writers have brought us from the cradle to manhood with Michael and, as usual, they’ll blow it once again and deprive us of damn good soap opera. Think about it…
Carly & Jax – She may have been many things over the years but there’s one thing which is hard to dispute. Carly is the Mamma Grizzly Sarah Palin can only dream of being. She’s sacrificed plenty for Michael. Sure, Michael has been an unwilling victim in many of her schemes, but the bond this mother and child have shared since birth is undeniable.
Enter Jax. The love Jax has for Carly’s children is real on every level.
His arrogance as a tycoon is diminished by his genuine affection and loyalty to his step children. He’s even agreed to make Morgan his own son – not out of some mean spirited rebuke to Sonny. He did it because – for all intents and purposes – Jax knows that he is the father Morgan should have had in Sonny.
The fallout of Michael’s rape could serve to bring Carly and Jax together in such a way that it would take a thousand Brendas and a dozen Balkans to drive them apart. Their children are the fuel that fires their passion. General Hospital needs a solid, happily married couple on the canvas. Carly and Jax are that couple.
Jason – He’s had his share of drama over the years. Whether it be in the mansion wading his way through the miserable dynamics of a dysfunctional family or being a stoic enforcer for the romantic Sonny, there remain still waters which run very deep.
There is but one core character who breaks the ice of Jason Morgan – Michael.
He’s an uncle, a father figure, a friend and ultimate loyalist. Unlike the women in Jason’s life, there are no conditions with Michael. They love each other with no strings attached – no pretenses. It’s the purest love ever seen on this show.
And now Jason has faced Michael’s rape head on.
How will the writers handle it? Will this cause Jason to break? How will this affect his relationship to Sonny?
And how much guilt will Jason bear in the coming years for the cruel torture Michael has suffered? The Jason we know would seek revenge – or would he?
The writers, of course, will probably find a way to direct all our attention to punishing Franco but that’s the cheap way out. There are repercussions so far reaching that they could change the face of General Hospital for the next 20 years.
The Davis ladies – We all know how Sam fits in to the scenario with Jason. But what about Alexis, Kristina and Molly?
Though Alexis and Carly detest each other for the most part, their children provide them a connection. Alexis Davis, the lawyer, would want to seek legal revenge on the highest scale. She can’t. Who does she fight? Carter is dead.
She’s got to reach down into her Cassadine genes and find a way to protect her girls and help them each deal with the aftermath. There are dozens of compelling story lines which could be woven for them. The actors who play these roles have proven themselves especially Nancy Lee Grahn. She’s got the talent, the skill, the history to make the fallout for her girls something GH fans could discuss for months, if not years. And in keeping her own household in order, she’s got to be a source of comfort to Sam who will have to deal with the rage locked within Jason.
The Quartermaines – Edward Louis Quartermaine, the patriarch of a clan which has been the heart of GH for decades would not take the rape of his grandson lightly. Edward is a lot of things but when it comes to Michael the only other human being who has softened Edward as much as this boy is Lila.
And then there is Monica. She’s lost so much – her husband, A.J., Jason and her beloved Emily. All she has ever wanted was to be a grandmother with a place in Michael’s life. What’s so bad about that? And, doesn’t it make complete sense to see Jason turn to Monica at this time? Michael is AJ’s offspring. From the hour of his birth, Jason took it upon himself to be Michael’s protector. In the end, Jason failed. Who else can he turn to but his mother?
There are the fringe Quartermaines as well. There’s Tracy, wife of Luke who just happens to share DNA with Michael. There’s Brooke Lynn, Maya and her Spencer-husband Ethan. Connect the dots. Have you ever seen a character in the history of daytime with the tentacles of Michael Corinthos?
The Spencers – In the aftermath, where is Barbara Jean? She’s had her share of tragedy with her children. If there was ever a time when Carly’s situation demanded the presence of her mother it is now.
There’s Luke the reluctant uncle and a Quartermaine by marriage. There’s Lucky, who valiantly rescued Elizabeth so long ago after another brutal rape. But there’s another layer for Lucky as the cop who urged his cousin Michael to “do the right thing”. In other words, there has to be some level of guilt there.
As I indicated for Ethan there’s the Quartermaine connection but there’s also the mob connection. He could have his hands full juggling all the dynamics of the fallout from the mansion to the casino to Johnny’s penthouse.
And then there’s Lulu. It hasn’t been easy for her considering her childhood. She finds this guy she’s attracted to who turns out to be Sonny’s long lost son. She falls in love and stands by his side as Dante dispatches Michael’s fate to a judge. Now that she’s discovered Dante’s deception, will her love override her ego so that she can be there to help hold the pieces together not only for the man she loves but for her family?
Sonny – I didn’t save the best for last. Quite the contrary. In many ways the mob story lines escalated with the birth of Michael. Sonny’s so called love of Michael has allegedly been his driving force in most of his adult life.
But in the end, Sonny failed miserably – more so than Jason ever could.
It should have been Sonny who went to prison to protect his son. It should have been Sonny who took the bullet that changed Michael’s life forever. It should be Sonny who suffers as much as Michael when he learns of the brutality imposed upon his son.
Instead Sonny is all gaga over Brenda and can’t see the chick peas in his pasta fagioli. This is a watershed moment not only for Michael and Sonny but for the entire General Hospital universe. Out of the darkness can come such light and renewal where preoccupation with Mario Puzo plot lines revert to solid daytime drama which incorporates inter-generational family dynamics.
THAT is soap opera.
THIS is what fans long for.
For the time being, Sonny must go. It has nothing to do with actor. It has to do with character – no, not Sonny the character – the character of a long running soap opera.
The Remainder – Perhaps you finally get where I’ve headed here. There are others as well who share a history with Michael or with his situation. There’s Robin, she’s been there from Michael’s birth. There’s Elizabeth a fellow rape victim who could really serve to help Michael heal unlike anyone else on the canvas. There’s Max and Milo – Sonny’s enforcers but softer than a roll of Cottonelle. This would devastate them both. There’s Mike, the grandfather who has never had an opportunity to unconditionally prove himself to his son and grandchildren. Sonny needs a father whether he likes it or not. And Sonny’s children need the constant unequivocal love and support that Mike has always provided when called upon. And for a new character in the mix, Abby is becoming a lightning rod. She is the one who can shield Michael from his self doubt. She can identify with the demons and help Michael heal in concert with Elizabeth.
The Moral of the Story – First of all, props and accolades to Chad Duell who has taken on the daunting role of Michael Corinthos and executed his profession brilliantly.
If this young man is an indication of what we have to look forward to in this new generation of actors we are blessed. His performance is worthy of awards from a host of organizations.
Beyond young Mr. Duell’s stellar performance is the sense that Michael has brought General Hospital full circle.
The mob wars stories of days gone by are eclipsed by Pentonville.
Michael has been the glue which has held more than one family together.
Michael’s life has touched 95% of the lives of Port Charles residents. The writers have provided themselves with an opportunity which rarely occurs. They can take this story line and apply it in such a way they can bring old viewers back and create a new generation of General Hospital enthusiasts.
After watching Monday’s episode, I am reminded of David Hasselhoff’s performance in Jekyll & Hyde. As Dr. Jekyll takes that flask in his hand he sees this as his pivotal moment. Henry Jekyll passionately sings, “Give me this moment – This precious chance – I’ll gather up my past; And make some sense at last!”
This is Bob Guza’s Henry Jekyll moment and what he spins from the violation of Michael will be his legacy.
Let’s hope he doesn’t allow this moment to slip through his hands.